He was in A Book of Delights, by John Hadfield (London,
Edward Hulton, 1957), which I’ve owned since 1961. A dear little serious-faced
boy in a dress.
Portrait of Frans Vekemans
The book
identifies the painting as Portrait of a
Boy, an oil on panel by Cornelis de Vos (1585-1651) in the. Musée Mayer van
den Bergh, Antwerp. Modern sources all identify it as Portrait of Frans Vekemans (1625, oil on oak panel).
The picture has
been reproduced scores of times and is available as a print from several websites.
It’s obviously been cleaned and all the reproductions I’ve seen online, including
the one on Wikimedia Commons, have a much paler, almost a greenish look—I’d say
it’s been overcleaned.
The little boy was one of a family whose portraits
were all painted by Cornelis de Vos, who was a very successful Flemish artist
in Antwerp at the period. The museum’s website tells us:
“Anyone back in 1625 who was able to
commission a portrait of his family from a famous Antwerp painter was rich.
Joris Vekemans did just that.
“The
short-lived Joris Vekemans (1590-1625) was a wealthy Antwerp businessman. He
had himself and his family portrayed in six paintings. Five of these can be seen
in the museum.
“… The portraits belong together in twos:
Joris and his wife Maria form one pair. Maria survived her husband by forty
years. Then there are the children: the four- or five-year-old Frans and his
sisters Elisabeth and Cornelia. Jan is the elder son. The second girl went with
Jan, but that work is not in the museum’s collection. The subjects in each pair
of portraits adopt the same pose. The backgrounds match and the painter used a
similar palette.”
(Museum Mayer
van den Bergh. “High-status
family”)
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